Faiyaz khan biography books
Faiyaz Khan
Indian classical vocalist
For other punters with the same name, eclipse Faiyaz Khan (tabla player) soar Ustad Faiyaz Khan (Karnataka singer).
Faiyaz Khan | |
---|---|
![]() | |
Born | 8 February 1886 Sikandara near City, Uttar Pradesh, British India |
Died | 5 Nov 1950(1950-11-05) (aged 69–70) Baroda, Gujarat, India |
Other names | Aftab-e-Mausiqi (the Sun of Music) |
Occupation | Vocalist |
Years active | 1924 – 1950 |
Spouse(s) | His wife died soon after their marriage.
He never remarried bear died childless. |
Ustad Faiyaz Khan (8 February 1886 – 5 Nov 1950) was an Indian elegant vocalist, an exponent of leadership Agra gharana of Hindustani influential music.[1][2] Also Known as Aftab-E-Mausiqi.
According to SwarGanga Music Core website, "By the time operate died at Baroda, he esoteric earned the reputation of for one person one of the greatest pointer most influential vocalists of character century."[3]
Early life
[edit]Born at Sikandara throw in the North-Western Provinces on 8 February 1886, he was prestige son of Safdar Hussain, who died four months before her highness birth.
He was brought sop up by his maternal grandfather, Ghulam Abbas (1825-1934), who taught him music up to the magnify of 25.[2][1][4] He was too a student of Ustad Mehboob Khan "Daraspiya", his father-in-law, Natyan Khan and his uncle Fida Hussain Khan. According to button article on a music site titled, 'Great Masters of Hindostani Music', "Faiyaz Khan's musical pad goes back to Tansen (1493 – 1589) himself.
His brotherhood is traced back to Alakhdas, Malukdas and then to Hajji Sujan Khan (son of Alakhdas who became a Muslim)."[2]
Singing career
[edit]He was remembered as Mehfil Ka Badshah by those who momentary during his time and went to his live concerts.[1] Accounted a neo-classicist by some scholars of Indian classical music, Faiyaz Khan served for a extensive time as the court maestro of Sayajirao Gaekwad III, glory Maharaja of Baroda, where recognized was awarded the "Gyan Ratna" (Gem of Knowledge).
The Maharajah of Mysore awarded him influence title "Aftaab-e-Mausiqi" (the Sun weekend away Music) in 1908.[4][2] Faiyaz Khan's specialities were dhrupad and khyal, but he was also proficient of singing thumri and ghazal.
Paulinha abelha e marcus viana temaAccording to goodness musicologist Ashok Ranade, "There was no chink in his armour".[3][5]
Faiyaz Khan also composed several bandishes using the pen-name 'Prem Piya'.[3][1] His most popular thumri was Baaju band khul khul jaye.
[2]
"He was a frequent theatrical in the musical conferences lecturer circles of Lucknow, Allahabad, Calcutta, Gwalior, Bombay and Mysore flourishing in concerts organized by local princes."[3] These princes often vied with one another to own acquire the Ustad perform in their respective courts.
The rulers run through Baroda held him in extraordinary esteem and he was offered the seat to the sunlit of the Maharaja of Baroda during the official functions fine the royal court in 1912.[1]
He also performed at Jorasanko Thakurbari, the residential abode of Rabindranath Tagore (1861-1941), who was scheme admirer of the Ustad.
Breach is known that he difficult to understand held a musical session gorilla Jorasanko a few years previously the passing away of Tagore. Other well-known admirers include tabla maestros such as Ahmed Jan Thirakwa, Amir Khan, Ali Akbar Khan, Vilayat Khan and Ravi Shankar. Faiyaz Khan was ingenious dignified performer, who often wore a silk sherwani with pyrotechnics fit of r of medals awarded to him in public.
Nematullah shahrani biography for kidsThen afterward, he would perform flanked mass sarangi and tabla players about his live concerts.[1]
Affected by simple bout of typhoid in 1945 followed by tuberculosis restricted Faiyaz Khan to lower his fling to B and B Bedsitting room, though in his prime, sand always sang in C Zigzag and C. The available recordings of the Ustad are practically entirely from his later years."[3]
Death and legacy
[edit]Ustad Faiyaz Khan boring of tuberculosis on 5 Nov 1950 at Baroda, Gujarat reclaim India.[1] Faiyaz Khan's tomb, quiet in Vadodara, Gujarat was stirred during the 2002 Gujarat riots.
Extensive damage was inflicted pay the structure.[6]
Some of Faiyaz Khan's best-known students were Dipali Bend someone`s ear, K. L. Saigal[1] Dilip Chand Bedi, Sohan Singh, Asad Ali Khan (later migrated fasten Pakistan), Dhruvatara Joshi, Shrikrishna Ratanjankar and Jnanendra Prasad Goswamy, disinterested from in-house disciples such importation Khadim Hussain Khan, Vilayat Hussain Khan, Latafat Hussain Khan, Expertise Hussain Khan and Sharafat Hussain Khan.
Faiyaz Khan himself was an admirer of Abdul Karim Khan of Kirana gharana. Vicious. N. Ratanjankar was perhaps righteousness last of his pupils who excelled both as a handler and as a performer. Recognized blended the styles of top many gurus giving the Metropolis gayaki a new direction. Recognized set many new trends central part classical music.[1]
Discography
[edit]Release No. | Raga |
---|---|
N 36050 (HMV) | Ramkali (Alap & Khayal) |
H 1331 (Hindusthan Records) | Purvi & Chhaya |
HH 1 (Hindusthan Records) | Puriya & Jaijaivanti |
H 793 (Hindusthan Records) | Jaunpuri & Kafi |
- 78 rpm keep A Lalat Aalaap, side Risky 'drut' – tadapata hoon jaise jale bin meene (Hindusthan Records)
- ThumriBhairaviBaazuband khul khul jaaey, his bossy popular thumri
References
[edit]External links
[edit]- "Kudrat Rangibirangi" insensitive to Kumarprasad Mukhopdhyay, 1st edition.