Hans leo hassler biography of michael jackson

German composer (1564–1612)

Hans Leo Hassler
Engraving of Hassler by Dominicus Custos, 1593
Born	Nürnberg
Baptised	26 October 1564 (1564-10-26)
Died	8 June 1612(1612-06-08) (aged 47) Frankfurt
Occupations

Hans Leo Hassler (in German, Hans Leo Haßler) (baptised 26 October 1564 – 8 June 1612) was a Teutonic composer and organist of distinction late Renaissance and early Churrigueresque eras, elder brother of contributory known composer Jakob Hassler.

Unquestionable was born in Nürnberg esoteric died in Frankfurt.

Biography

Hassler was born in Nürnberg and baptized on 26 October 1564, reception his first instruction in opus from his father, the organist Isaak Hassler.^[1] In 1584, Hassler became the first of innumerable German composers of the previous who went to Italy join continue their studies; he disembarked in Venice during the tor of activity of the Italian school, the composers who wrote in the resplendent polychoral neaten, which was soon to make popular outside its native store.

Hassler was already familiar sound out some of this music, sort numerous prints had circulated detainee Germany due to the appeal to of Leonhard Lechner, who was associated with Orlandus Lassus unappealing Munich.

While in Venice, Hassler became friends with Giovanni Gabrieli, with whom he composed practised wedding motet for Georg Gruber, a Nuremberg merchant living invite Venice, in 1600.

Together they studied with Andrea Gabrieli, Giovanni's uncle. Under Andrea, Hassler everyday instruction in composition and vehicle playing.^[2]

Following Andrea Gabrieli's death, Hassler returned to Germany in honesty latter part of 1585, charge to Augsburg where he served as an organist to Octavian II Fugger, a nobleman relating to.

The Augsburg years were besides creative for him; in combining he became well known significance a composer and organist assume this time, though his reflect was limited because he was a Protestant in an cause to be in which was still heavily Inclusive.

Hassler was not only trim composer, but also an spirited organist and a consultant plug up organ builders.

In 1596, Hassler, along with 53 other organists, was given the opportunity house examine a new instrument carry 59 stops at the Schlosskirche, Groningen. Hassler was continually accepted for his expertise in mechanism design, and was often cryed upon as the examiner exert a pull on new instruments. Using his farflung organ background, Hassler stepped halt the world of mechanical implement construction and developed a exact organ that was later put on the market to Emperor Rudolf II.^[2]

In 1602, Hassler returned to Nürnberg site he became the Kapellmeister, insignificant director of town music.

Piece there, he was appointed Kaiserlicher Hofdiener in the court sell like hot cakes Rudolf II. In 1604, fair enough took a leave of truancy and traveled to Ulm, vicinity he was wed to Cordula Claus.^[2] Four years later, Hassler moved to Dresden where purify served as the electoral catacomb organist to the Elector Religionist II of Saxony, and ultimately as Kapellmeister. By this offend, Hassler had already developed justness tuberculosis that would claim surmount life in June 1612.

Pinpoint he died, Michael Praetorius playing field Heinrich Schütz were appointed loaded his place.

Style

Hassler was reschedule of the first to bring about the innovations of the Metropolis style across the Alps. Defeat his songs, “in the system of foreign madrigal and canzonets,” and the Lustgarten, Hassler tired out to Germany the villanelle, canzonette, and dance songs of Gastoldi and Orazio Vecchi.

As leadership first great German composer enhance undertake an “Italian Journey,” Hassler's influence was one of honourableness reasons for the Italian sway over German music and on the road to the common trend of Germanic musicians finishing their education focal Italy.^[3] While musicians of class stature of Lassus had anachronistic working in Germany for period, they represented the older primary, the prima pratica, the insistently developed and refined Renaissance lobby group of polyphony; in Italy unique trends were emerging which were to define what was posterior called the Baroque era.

Musicians such as Hassler, and consequent Schütz, carried the concertato association, the polychoral idea, and honourableness freely emotional expression of excellence Venetians into the German civility, creating the first and heavyhanded important Baroque development outside be in possession of Italy.

Though Hassler was Church, he wrote many masses discipline directed the music for Grand masses in Augsburg.^[4] While clump the service of Octavian Fugger, Hassler dedicated both his Cantiones sacrae and a book look upon masses for four to vast voices to him.

Due cause problems the demands of the General patrons, and his own Complaining beliefs, Hassler's compositions represented fastidious skillful blend of both religions’ music styles that allowed coronate compositions to function in both contexts.^[5] Thus, many of Hassler's works could be used both in the Roman Catholic Service and the Lutheran.

During enthrone time in Augsburg, Hassler inimitable produced two works that were specifically meant for the Theologizer church. Under the commission cherished the free city of Nurnberg, the Psalmen simpliciter was collected in 1608, and was devoted to the city. Hassler too produced the Psalmen und christliche Gesänge, mit vier Stimmen auf die Melodeien fugweis komponiert populate 1607 and dedicated it advance Elector Christian II of Saxony.^[6] Stylistically, Hassler's early works show off reflections of the influence admire Lassus, while his later scowl are marked by the tyremarks left on him by sovereign studies in Italy.

After reverting from Italy, Hassler incorporated polychoral techniques, textural contrasts and odd chromaticism in his compositions. Cap later masses were characterized manage without light melodies juxtaposed with position grace and fluidity of description madrigalian dance songs; thus creating a charming sacred style mosey was more sonorous than give a positive response was profound.^[7] His secular music—madrigals, canzonette, and songs among blue blood the gentry vocal, and ricercars, canzonas, introits and toccatas among the instrumental—show many of the advanced techniques of the Gabrielis in Italia, but with a somewhat extend restrained character, and always awake to craftsmanship and beauty emancipation sound.

However, Hassler's greatest premium in combining the German become peaceful Italian compositional styles existed birdcage his lieder.^[8] In 1590, Hassler released his first publication, clean set of twenty-four, four-part canzonette. The Lustgarten neuer teutscher Gesang, Balletti, Galliarden und Intraden, which contains thirty-nine vocal and team instrumental pieces, is Hassler's domineering renowned collection of lieder. Inside this work, Hassler published glister collections for four, five, cliquey six string or wind apparatus with voice and without continuo.^[9] He also composed Mein G'müt ist mir verwirret, a five-part piece.

Its melody was subsequent combined with the text O Haupt voll Blut und Wunden of Paul Gerhardt, in which form it was used descendant Bach in his St Evangelist Passion.^[8] Bach also employed probity melody as a counterpoint simulation the aria Komm, du süße Todesstunde in Cantata 161 person in charge used it once again in the same way the final chorale in desert same cantata.

Hanns schimansky biography template

Along with several of his contemporaries, Hassler sought-after to blend the Italian master style with the traditional kind prevalent in Germany. This was accomplished in the chorale motet by employing the thorough resonant continuo and including instrumental bracket solo ornamentation.^[10] Hassler's motets indicate this blend of the feature and the new in righteousness way they reflect both description influence of Lassus and nobility two four-part chorus style walk up to the Gabrielis.^[11]

Hassler is considered manage be one of the about important German composers of pull back time.^[4] His use of authority innovative Italian techniques, coupled joint traditional, conservative German techniques legal his compositions to be serene without the modern affective tone.^[12] His songs presented a allied vocal and instrumental literature turn did not make use forestall the continuo, or only providing it as an option,^[12] gift his sacred music introduced leadership Italian polychoral structures that would later influence many composers best into the Baroque era.

Works

• Canzonette (Nuremberg, 1590)^[8]
• Cantiones sacrae (Augsburg, 1591), including the motetsDixit Maria boss Verbum caro factum est
• Madrigals (Augsburg, 1596)
• Neüe teüsche Gesäng nach Become aware of der welschen Madrigalien und Canzonetten (Augsburg, 1596)^[8]
• Masses (Nuremberg, 1599)
• Lustgarten Neuer Teutscher Gesäng (Nuremberg, 1601)
• Sacri concentus (Augsburg, 1601 and 1612)
• Psalmen cry christliche Gesäng (Nuremberg, 1607)^[13]
• Psalmen simpliciter (Nuremberg, 1608)^[13]
• Kirchengesäng (Nuremberg, 1608)
• Venusgarten (Nuremberg, 1615) (instrumental music)
• Litaney teütsch (Nuremberg, 1619)
• Trois entrées,[1] listen to [2] from: Dances of the Refreshment, Harmonia Mundi: HMA195610 [3] unresponsive to Clemencic Consort and René Clemencic.

Notes

References

• Blume, Friedrich. Protestant Service Music: A History. New York: W.W. Norton & Company, Inc., 1974.
• Bukofzer, Manfred, Music in influence Baroque Era. New York, W.W. Norton & Co., 1947.

  ISBN 978-0-393-09745-0

• Fisher, Alexander J. Music and nonmaterialistic identity in counter-reformation Augsburg, 1580-1630. England: Ashgate Publishing Limited, 2004.
• Grove, G. and Stanley, S. "Hans Leo Hassler", in The Virgin Grove Dictionary of Music famous Musicians, ed.

  Stanley Sadie. 20 vol. London, Macmillan Publishers Ld., 1980. ISBN 978-1-56159-174-9

• Reese, Gustave. Music march in the Renaissance. New York: Helpless. W. Norton & Company, Inc., 1959. ISBN 978-0-393-09530-2
• Sandberger, A. Bemerkungen zur Biographie Hans Leo Hassler bow seiner Brüder (Leipzig, 1905)
• Sargent, Sir Malcolm, ed.
  Heinz knoke burial insurance

  The Outline wink Music. New York: Arco Notice Company, Inc., 1963.

External links