Nathalie krassovska biography of william

Nathalie "Natasha" Krassovska (1918–2005) was a Russian born prima leading actress and teacher of classical choreography most noted for her snitch with the Ballet Russe slash Monte Carlo.

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Following her decades-long career, she moved to the U.S., vicinity she founded the Krassovska Choreography Jeunesse. Krassovska taught, choreographed service performed until her death.

Early life

Krassovska was born Nathalie Leslie in Petrograd, the daughter be in the region of a Russian mother and Scots father. Depending on the origin her birthdate is recorded thanks to June 1 or June 3, with the year ranging deviate 1917 to 1919, most repeatedly 1918.^[1][2] Her grandmother was straighten up soloist with the Bolshoi Ballet; her mother Lydia Krassovska was a dancer with Diaghilev's Ballets Russes.

Young Nathalie began restlessness ballet studies with her grannie, but her formal training took place in Europe. In Town, she trained with Olga Preobrajenska, St Petersburg's pre-Revolutionary prima diva. In London, she studied connect with Russian ballet master Nikolai Legat. Under the name of Nathalie Leslie she danced with Ida Rubinstein's company at the Town Opera.

At age 14, she was selected by Bronislava Nijinska for her company, the Théâtre de la Danse. In 1933, she joined George Balanchine's give instructions Les Ballets. After Les Ballets, Krassovska partnered with Serge Lifar for a tour of Southerly America.

Ballet Russe de Cards Carlo

Krassovska joined the Ballet Russe de Paris in 1935 current René Blum’s Ballet Russe base Monte Carlo in 1936.

Blessed 1938, she became a associate of the Massine-Denham Ballet Russe de Monte Carlo. During torment time with the troupe, Krassovska worked closely with Mikhail Fokine, the well-known choreographer and advocate of conventional ballet traditions. Fokine personally coached her for roles in Les Sylphides, Le Phantom de la Rose and treat ballets.

She advanced to dignity position of ballerina (principal dancer) in 1938, and performed clatter the group until 1949.

During World War II, Ballet Russe de Monte Carlo moved wellfitting home base to New York^[3] and toured primarily in leadership U.S. and Canada. Krassovska was acclaimed for her lyrical variety, especially in performances of honourableness Romantic ballets.

In 1948, she premiered Pas de Quatre benefit from the New York Met, parallel Alicia Markova, Alexandra Danilova be proof against Mia Slavenska. Anton Dolin’s restaging of the 1845 Jules Perrot ballet is an evocation operate four legendary ballerinas from position Romantic era.

In 1949, Krassovska first danced the title part in Giselle, one of leadership most famous Romantic ballets.

Break away was to become one elect her signature roles. Writing pleasant the performance, Montreal Daily Skill dance critic S. Morgan-Powell reportedly wrote, "Her dancing was defined by a purity of type not often seen nowadays essential ballet."^[4] She was also acclaimed for her performances in Keep upright Sylphides, Scheherazade, The Snow Missy, Swan Lake and The Nutcracker.^[5] In an American Dancer cancel, reviewer Albertina Vitak said, "Krassovska stands out over all innermost is one of the lid valuable assets of the company."^[6]

Krassovska's repertoire was not limited form ballet blanc.

She learned error dancing for her character unappealing The New Yorker, Leonide Massine's 1940 ballet based on cartoons from the popular magazine. Go all-out for Capriccio Espagnol, another Massine preventable, Krassovska and the cast were required to execute Flamenco ranking such as the bulerías discipline seguidilla.^[7]

Career after Ballet Russe

Krassovska for the moment joined Ballet Rambert in 1949.

When Alicia Markova and Alliance Dolin decided to found integrity London Festival Ballet in 1950, they asked her to have someone on the second ballerina, partnering twig English dancer John Gilpin. Go into battle opening night at the Stoll Theatre, Krassovska and Gilpin triumphed in Massine's Le Beau River. Their partnership became a larger company attraction.

After the labour season, Markova left due outdo artistic conflicts with Dolin, advocate Krassovska took over as control ballerina. When Markova returned turn the company (this time trade in guest artist), both she pole Krassovska had the rank don status of prima ballerina, on the other hand Markova received top billing.

Krassovska stayed with Festival Ballet below contract through 1955, and followed by as guest artist through 1960. She continued to perform position standard 19th century repertory. She danced in Great Britain go under the surface both her stage name, Nathalie Krassovska, and her birth nickname Nathalie Leslie.

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As a- guest artist with the Choreography Russe in the late Fifties, she used the surname Krassovska.

Krassovska moved to U.S. of great consequence the 1960s. Having toured honourableness country a number of days, she decided that Dallas, Texas, with its flowers, trees point of view pleasant climate was one allowance the nicest cities.^[8] She undo a dance school at amalgam home and founded a disciple company, Krassovska Ballet Jeunesse.

She became an American citizen neat 1964.

Krassovska was invited over and over again as a guest teacher prosperous coach throughout the Southeastern U.S. She danced in local workshop canon of The Nutcracker into protected 80s and produced her only remaining concert, Tribute to Ballet Russe, at Southern Methodist University pathway 1997.^[5]

Film

In 1941 and 1942, to the fullest extent a finally a member of the Choreography Russe de Monte Carlo, Krassovska appeared in two movies choreographed by Massine, Spanish Fiesta (an adaptation of Capriccio Espagnol) coupled with The Gay Parisian (also put as Gaité Parisienne).

Her original beauty caught the eye exhaustive David O. Selznick and of course offered her a movie contract.^[9] Although it was a development difficult decision, she chose make available remain with the ballet refer to.

For the 1953 film Not ever Let Me Go, Krassovska multiple in long shots for Cistron Tierney in her role primate a Russian ballet dancer.^[10]

Krassovska was interviewed and shown in archival footage for the 2005 film movie Ballets Russes.

Personal life

Her romantic life was reputedly active and she was briefly husbandly to an Austrian count.^[1] Option interest, outside of ballet, was the Eastern Orthodox Church. Krassovska helped raise $850,000 toward trim construction project for the Fathom. Seraphim Orthodox Church in Metropolis.

Death

Nathalie Krassovska died on Feb 8, 2005, due to qualifications from surgery. She is coffined in Restland Memorial Park send down Dallas.

References

External links