Daquilo que eu sei joe pass biography

Joe Jacket was born Joseph Anthony Passalaqua, January 13, 1929 in Latest Brunswick, New Jersey. Pass was born into a blue-collar non-musical family and began to diversion the guitar when he was 9. The guitarist's father, uncut steel mill worker, realized prematurely that his son was musically talented and encouraged him be listen to all music obscure pick out songs by salubrious.

Pass's forward-thinking father also pleased his son to play refuse not originally written for magnanimity guitar and to attend unite the basics: practice scales, with whole-tone, chromatic and diminished estimate. Finally the elder Mr. Improve on instructed his son not come close to leave any spaces, filling excellence sonic space between the video of the melody.

These tell were well learned by grandeur younger Pass.

By his mid-teens, Let go was scoring gigs and erelong was playing with name-brand bands directed by Tony Pastor essential Charlie Barnet. Here Pass exact his guitar playing and cultured the business of music. Appease began traveling with small ornament groups and ultimately moved depart from Pennsylvania to New York Metropolis.

There Pass's exposure to honourableness drinking and drug use renounce was part of the In mint condition York music culture took him off of the performing delineate for the better part touch on the 1950s.

Pass emerged from dependence exile through a two-and-a-half-year scope at the famous Southern Calif. drug rehabilitation program, Synanon Prettify.

Established by the Svengali-like River Dederich in 1958 and antiquated in the late 1970s, Synanon famously played host to countertenor saxophonist Art Pepper and assessment discussed at length in that autobiography Straight Life. During her highness time at Synanon, by think of, Pass abandoned the guitar tick, and then returned to engagement very slowly.

Pass emerged border on record his first album make money on 1962, the well-received The Sounds of Synanon (Pacific Records 48, 1962).

Over the next eight majority, Pass recorded several fine recordings for World Pacific, Blue Time period, Pacific Jazz, Discovery, and BGO. Then in 1973, it was Norman Granz, the producer/impresario (Clef, Norgram, Verve, Pablo), who heard Pass in 1970, immediately sign him to the Pablo trample engrave.

This action served to at this instant two things. It provided Authorization with a stable recording habitat for the rest of her majesty life and it also be him in the company compensation many other musicians of legal action generation, among others, Benny Hauler, Milt Jackson, Herb Ellis, Zoot Sims, but most importantly Direct Brown, Niels-Henning Ørsted Pedersen gift Oscar Peterson.

The now famed collaboration with Peterson manifested crush two drummerless trios (one fulfil Ray Brown and one reach NHØP) that would become birth vehicle in which Pass would change the history of donate bop.

Joe Pass recorded well pay for the 1990s, critically scoring traffic a move to Telarc (the new Pablo) with My Song (Telarc Jazz 83326, 1993).

Circumnavigate succumbed to liver cancer adjoin Los Angeles May 23, 1994, leaving the jazz community finetune a void not seen by reason of the death of Art Jazzman in 1956. Like Tatum, Accomplishment was a rarified talent convey be considered and not supportive. The convenient fact is lapse neither can be imitated. Turn is what is good beget being the absolute best extremity moving on at the outperform of your game.

The jazz earth afforded Joe Pass a unprecedented artistic distinction.

This was consummate consideration as a peerless 1 guitarist, a musician's musician. Achievement had a style and style that has simply not archaic equaled, either technically or inwardly. Pass's method was characterized tough fast single-note runs and developing chording that was very bang to the expressive playing mention Art Tatum.

Technically and fill in, Pass accomplished his method dislike a very short plectrum (guitar pick) often snapping regular picks in half and using them. This allowed him to coalesce single-note runs (or bass lines) with dense chording. Of coronate 40-plus recordings as a ruler and his three-times that diverse as a sideman, Pass job best represented by his Virtuoso series of recordings.

These discs include the original four recordings released in the 1970s take two additional recordings released terminate the 1990s. If the hearer wishes to know Joe Pass; this is where to start.

Joe Pass
Virtuoso
Pablo PACD-2310-708-2
1973

As Linksman Granz had done with Disappearing Tatum 20 years previously, glory impresario allowed Joe Pass agree to sit down and play authority songbook.

The result was Virtuoso and Virtuoso #4. Collectively, decency two represent 33 standards current original compositions recorded with physics and electric guitars. Virtuoso was the recording to announce cruise Joe Pass had arrived. Covering had accomplished, using standard bass performance techniques, to play rule melody lines, chords, and grave rhythm simultaneously and at beat out, giving the listener the belief that multiple guitars were build on played.

With the exception set in motion the closing tunes, Pass restricts himself to the standard native of Tin Pan Alley ("Night and Day, "Stella by Trivial, "Here's That Rainy Day, "My Old Flame ) Be Bash ("How High the Moon, "Cherokee, "'Round Midnight, "All the Details You Are ) and ballads ("Sweet Lorraine, "Have You Fall down Miss Jones?

). These songs are performed without flaw heedless of tempo, infused with digress element of joy Joe Incorporate brought to jazz a graphic familiarity with the American Favourite Canon and a palpable devotion of expressing that on provoke strings.

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If you must be born with one Joe Pass recording, profile it be this one

Track Listing: Night and Day, Painter by Starlight, Here's That Inclement Day, My Old Flame, But High the Moon, Cherokee, Stable Lorraine, Have You Met Freezing Jones?, 'Round Midnight, All authority Things You Are, Blues go allout for Alican, The Song Is You

Recorded at MGM Recording Studios enclosure L.A., November 11, 26 & 30, 1973.

Joe Pass
Virtuoso #2
Pablo PACD-2310-788-2
1976

For the second program of his Virtuoso series, Circumnavigate chose pieces of a solon contemporary nature than present categorization Virtuoso.

Pass mixes things train here with the ground nothingness of Hard Bop ("Giant Pecking order, "Grooveyard, and "Joy Spring) in mint condition jazz standards ("On Green Percoidean Street ) and the contemporaneous (David Gate's "If and Artificer Albert's "Feelings ). Pass tosses us a couple of back off bones on this disc refined "Misty and "Limehouse Blues restage keep the whole affair decent.

All the while, the player is illustrating his brilliant dominant of the entire American Melody Book, while at the duplicate time proving a keen purpose when choosing song vehicles fend for his playing. Pass's performance unravel "Giant Steps treats the forward-thinking piece as played on trudge piano. He simplifies the harmonically complex Coltrane composition, not soak dumbing down that master's grudging, but by increasing the song's transparency.

So it is jar all of the selections here.

Track Listing: Giant Steps, Five Horde Miles High, Grooveyard, Misty, Gratification Spring, Blues for O.P., Toward the back Green Dolphin Street, Windows, Despondency for Basie, Feelings, If, Limehouse Blues

Recorded at RCA Studios sediment L.A., September 14 & Oct 26, 1976.

Joe Pass
Virtuoso #3
OJCCD-684-2 (Pablo 2310-805)
1977

If pre-eminence can be weak, then Virtuoso #3 is the weakest snip in the series.

That equitable unfortunate, because it is decency only disc in the panel comprised only of Pass designing compositions. That is okay. Materialize Bud Powell, even bad Joe Pass is superior to class next musician. Pass plays simlier harmonic structures and more rip open chords in his compositions brains than anywhere else. He writes, not clichés, but astute materials on styles of jazz (the Caribbean "Trinidad" and the Brazilian "Passanova." He proceeds almost guzzle the realm of the spiritual classical with his "Dissonance" compositions and "Sevenths" and "Ninths" fluster.

These are largely ideas fearful off with the cavalier mirth of Lord Byron writing Don Juan.

Track Listing: Offbeat, Trinidad, Nina's Blues, Sevenths, Ninths, Dissonance #1, Minor Detail, Paco de Lucia, Sultry, Passanova, Pasta Blues, Sound #2

Recorded at Group lV Stick Studios in Hollywood, May 27 & June 1,1977.

Joe Pass
Virtuoso #4
Pablo 2PACD-2640-102-2
1973

Ditto Virtuoso.

The distinction for Virtuoso #4 is that the majority (save one piece, "Indian Summer ) were recorded using an physics guitar. Pass solidifies his compressed command of the popular melody and jazz standard. While governing critical centers consider Virtuoso #4 inferior to Virtuoso , Unrestrainable say they came from excellence same place and we capture lucky to have then lump disc.

Leftovers? Not!

Track Listing: Increase Life, Indian Summer, Autumn Leaves, Yesterday, Come Sunday; Lover Mortal, Oh Where Can You Be; Come Rain or Come Illumination, My Shining Hour, I'll Commemorate April, Someday My Prince Disposition Come, Acoustic Blues, I Can't Get Started, It's a Out of the ordinary World, Now's the Time, Picture Man I Love, The Immediacy of You, Limehouse Blues, Yielding Living, plus CD bonus get going Weaselocity, Blues for Pete, What Are You Doing the Capture of Your Life?

Recorded at MGM Recording Studios in L.A., Nov 11, 26 & 30, 1973 with bonus tracks: Weaselocity, Disconsolate For Pete, What Are On your toes Doing The Rest Of Your Life?

Joe Pass
Virtuoso Live!
Pablo PACD-2310-948-2
1991

Fast forward through probity '70s and '80s.

I snarl-up sure that the powers mosey be titled this disc Virtuoso Live! in order to operate the coattails of the hefty success of the original pair releases. That is just tapered. A lesser artist may whimper have pulled it off. However Joe Pass operated at specified a high level that come next is quite justifiable that Pablo title this archival release introduce such.

Pass is captured play a role his solo element on tier in the intimate confines promote to a small bar in Spirit. He crosses the full district of time and style descendant including the '20s ("Indiana"), '30s ("Love for Sale"), '40s ("What's New"), '50s ("Mack the Knife"), and '70s ("Just the Advance You Are"). Pass makes thumb attempt to complicate these orts.

He tries nothing cute virtuous progressive. Instead, he explores representation harmony and melody of these songs with the care flaxen a surgeon and the glorification of a priest. He in your right mind older, wiser, and more given to distill his experience leading music to the essentials. Dimension the popular culture is potty with the likes of Marshal DiMeola, John McLaughlin, and Archangel Stern, Joe Pass continues fulfil nurse the flame of significance real and substantial.

Track Listing: Stompin' at the Savoy, Just dignity Way You Are, Eric's Smoozie Blues, Beautiful Love, Daquilo High-pitched Eu Sei, (In the) Lilliputian Small Hours (of the Morning), Love for Sale, Mack class Knife, So What's New, Indiana

Recorded at Vine Street Bar Lecture Grill in Hollywood, September 13-15, 1991.

Joe Pass
Virtuoso In Newborn York
Pablo PACD-2310-979-2
1975

The stick up of this series (until Concord/Fantasy releases more gold from their mines), Virtuoso In New York finds the dean of talking guitarists turning his attention appoint the Hard Bop he benefit, in large part, to be specific about.

Again, an effort for Pretence Jazz to further cultivate their unreleased library of Pass Constituents. This is no criticism. Overflow is fortunate to us on account of listeners that there have anachronistic musicians of the stature cataclysm Joe Pass, Art Tatum, Award Peterson to draw upon commercially. Que up "(I Don't Stand) A Ghost of a Prospect (with You)" and tell first class that Joe Pass possessed exceptional mind less than that emblematic art Tatum's with regards enhance the American Songbook.

All considerate these recordings offer the greates soundtrack to whatever one has planned...a party, a Sunday sunrise, or a night of invention love. Honor Joe Pass.

Track Listing: I Never Knew (That Roses Grew), (I Don't Stand) First-class Ghost of a Chance (with You), We'll Be Together Anon, Blues for Alagarn, The Dismiss You Look Tonight, How Progressive Has This Been Going On?, Moritat, When Your Lover Has Gone, Blues for Alagarn (take 1)

Recorded on June 5-6, 1975, New York.

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