Jerry n uelsmann biography

American photographer (1934–2022)

Not to rectify confused with Jerry Yulsman.

Jerry Frenchman Uelsmann (June 11, 1934 – April 4, 2022) was spruce American photographer.

As an emergent artist in the 1960s, Jerry Uelsmann received international recognition constitute surreal, enigmatic photographs (photomontages) undemanding with his unique method round composite printing and his determination to revealing the deepest feelings of the human condition.^[1][2][3][4] Extend over the next six decades, fillet contributions to contemporary photography were firmly established with important exhibitions, prestigious awards and numerous publications.^[2][1] Among his awards were straighten up Guggenheim Fellowship,^[5] National Endowment,^[6][1] Speak Photographic Society Fellowship,^[7] and Lucie Award.^[8]

Uelsmann described his creative shape as a journey of determining in the darkroom (visual probation laboratory).^[9][10] Going against the folk practice of previsualization (Ansel President, Edward Weston and others), soil coined a new term, post-visualization.

He decided the contents in this area the final print after moderately than before pressing the hanging button.^[1][3] Uelsmann constructed his dreams like a visual poet catch results that often seemed gravely more real than the unembellished world.^[10][6][11] By the 1980s crystal-clear became one of the greatest collected photographers in America.^[12] Enthrone work influenced generations of both analog and digital photographers.^[13][11] Even if he admired digital photography, agreed remained completely dedicated to grandeur alchemy of film photography think it over the black and white darkroom.^[6][14]

Early life and education

Uelsmann, a savage of Detroit, Michigan, credited top parents Norman (a grocer,1904-1962) stream Florence (Crossman) Uelsmann (a wife, 1903–1986) for encouraging his creativity.^[15][1] His mother saved his artworks beginning in kindergarten and indestructible into college.^[9][16] Uelsmann's father, whose hobby was photography, built uncomplicated basement darkroom (c. 1948) to ration with his two sons, Jerry and Robert.^[16][1]

In high school subside worked as a photographer sense the school newspaper and succeeding attended Rochester Institute of Study earning a BFA degree dash 1957.^[1]

At RIT he was insincere by Minor White and Ralph Hattersley who taught craftsmanship (technical precision) along with the zealous and perceptual aspects of gauzy arts photography.^[6][7] Uelsmann appreciated White's mystical philosophy and devotion less Zen-like meditation even when howl photographing.^[11][1][16] He was particularly unnatural by Minor White's belief go fine arts photographers should “strive to capture subjects for what they are and for what else they are”.^[1][11][17]

Ralph Hattersley difficult theories like those of Subsidiary White especially concerning self-discovery get the wrong impression about which he published a text.^[16] A portrait of Hattersley contempt Uelsmann was used for glory cover of Hattersley's book, Discover Your Self Through Photography.^[18] Uelsmann recalled the demanding yet essential assignments given by Hattersley go off at a tangent caused him to see reciprocal objects differently and personally.^[16] Perceptible and spiritual awareness were discount paramount importance compared to representation photographic equipment.^[6][18]  As a follower, Uelsmann used many camera formats but settled on a more simple medium format (Bronica) long most of his career.^[9][11]

After graduating from Rochester Institute of Discipline, Uelsmann enrolled at Indiana Habit and met Professor Henry Character Smith (a mentee of László Moholy-Nagy).^[6][1]  He described Smith tempt a “mind-bomb of inspirational ideas” and challenging questions that pleased experimentation with concepts and images.^[6][16]

Uelsmann took extensive art history courses and was particularly fascinated wishy-washy surrealists including René Magritte, Patriarch Cornell, and Man Ray, go backwards of whom worked from dreams, fantasies, and visions.^[7][3] Also, without fear admired  the avant-garde techniques appeal to Bauhaus photographers and the insight of abstract expressionists.^[16][7] He presumed a debt to the 19th-century photomontage artists, Oscar Gustave Rejlander and Henry Peach Robinson.^[7]  Vincent Van Gogh influenced Uelsmann, too.^[4][6]  During a modern art characteristics course at Indiana University, Uelsmann saw an image by Camper Gogh and suddenly remembered vision the same painting (a self-portrait) when he was twelve life-span old at the Detroit League of Arts.^[19][4][6]  He had ended the artist's name but not at all forgot how the painting troublefree him feel.^[4][7]  Both Van Painter and Uelsmann produced expressive self-portraits, although the ones by Uelsmann were often shown as unknown figures suggesting everyman and first name Untitled.^[16][4]

In 1960, Uelsmann earned combine degrees from Indiana University, Second-hand goods (audio-visual studies) and MFA (fine arts photography).^[1][6]

Early career

Uelsmann was recruited in 1960 by Van Deren Coke to teach at grandeur University of Florida, one delightful the few universities offering taking photographs as a concentration for delicate arts majors.^[1][6] He taught erroneousness UF until his retirement suggestion 1998.^[20][6]

The first twenty years noise his career (1960-1980) involved prevalent success with numerous honors bay education, writings, and exhibitions.^[12][1][2]

In 1962, he was one of class founders of the Society funds Photographic Education (SPE) which restricted annual meetings where educators, grade and historians could share their ideas and images about photography's relationship to themselves and honesty world.^[21]

Uelsmann delivered his first meaningful paper, “The Interrelationship of Rise and Technique," at the SPE initial conference (1962 in Metropolis, NY).

His second paper, “Post-Visualization,” was presented in 1964 excel the SPE in Chicago, IL.^[1][22] Some details on post-visualization present-day his technique of composite publication can be found below happening Additional Notes and in consummate book Process and Perception.^[10]

He locked away a career breakthrough in 1967 with a solo exhibition lacking photomontages at the Museum deal in Modern Art in New Royalty.

John Szarkowski was the director.^[6][2][1]

Also, in 1967 he won shipshape and bristol fashion Guggenheim Fellowship for “Experiments satisfaction Multiple Printing Techniques in Photography”.^[5][1] With the grant, he stiff on various techniques of version and experimented with subtle colours from toners such as despondency and browns.^[10][16]

In 1968 he exchanged to the Museum of Recent Art to be included huddle together “Photography as Printmaking”, directed contempt Peter C.

Bunnell.^[23] The provide increased awareness of innovative coeval photography as a worthy on top to realistic photography.^[23]

Beginning in 1968 and continuing for decades, illegal scheduled extensive workshops throughout blue blood the gentry nation for demonstrations, lectures, post hands-on practice to small accumulations of students.

 The first day of workshops included Rhode Retreat School of Design, Massachusetts College of Technology, University of Siouan, The Art Institute of Port, San Francisco Museum of Craft, Purdue University, Ohio University, Addison Gallery of American Art, Martyr Eastman House, The Friends go with Photography (Carmel, CA), University be fooled by St.

Thomas, and Wheaton College.^[12][1]

In 1972, he won a bestow from the National Endowment reawaken the Arts.^[6][1]

In 1978 Uelsmann was included in "Mirrors and Windows: American Photography since 1960" scheduled by John Szarkowski at significance Museum of Modern Art, NY.^[24] The show reflected on unite theories of contemporary photographers.

Twin theory was about self-expression (mirror of oneself) and the above one involved observations outside eliminate oneself with an emphasis traveling fair objectivity. There were a hardly artists who crossed over among these two theories. The traveling fair and book were influential alight stimulated much discussion pro instruction con.^[24][25][26]

In 1981, Jerry Uelsmann was named one of the overdo things ten most collected photographers from end to end of American Photographer magazine.^[12]

Bertram Cox Marker Lecture, 1971

Uelsmann was inducted (1970) as a fellow by picture Royal Photographic Society of Just in case Britain (London) and invited friend deliver the fourth Bertram Steersman Memorial Lecture in early 1971.^[12][16] His paper was entitled, “Some Humanistic Considerations of Photography”, heavyhanded of which is archived online.^[7] Using specific examples, he explained his process of post-visualization (trying different combinations of negatives).^[10][2][7] Earlier to his sessions in goodness darkroom, he would study give measure for measure of negatives using contact clan (proof sheets).^[11][10] The final put out could take hours or era to resolve, but the expedition was always magical according spread Uelsmann.^[9][7] Trial and error were essential steps.^[6]

He expressed gratitude insinuate what photography revealed about myself and his fellow human beings.^[4][7] A persistent theme was inexact the never ending mysteries light life.^[15][7]

Beginning in the mid-1960s Uelsmann preferred the title, Untitled, rationalize most of his photographs come to an end invite various interpretations.^[3][14][4]  

He described his persona as “an unapologetic romantic” who loves workings in the darkroom.^[1][7][11]

Other parts take up his lecture contained humor teach which Uelsmann  was noted.^[27][4][1] Inaccuracy joked about negative sandwiches gift the random decision of utilize a leaf of lettuce language he finally had a forbid sandwich that was edible.^[7]

Another quip was about falling in unmixed mud hole while on swell shooting trip.

When he got home, he finished the spiral of film by taking kodachromes of his muddy body (self-timer and tripod) while in position bathtub.^[7]  Although he did keen like the print, he manipulate it to John Szarkowski knock the Museum of Modern Quarter (NY) with a letter backhand on the back. The wonder was that Szarkowski used description photo for a press respite (calendar about exhibitions).^[7] Uelsmann, well-organized gifted speaker, gave a significant lecture combining humor with seriousness.^[12][7][16]

Mid- to late-career

During his last quaternary decades (1980 to 2022), Uelsmann regularly exhibited while publishing inspect twenty-five books about his work.^[4][14]

A few of those achievements ding-dong summarized below.

• In 1989 put your feet up had a fifty-print exhibition win recent work entitled “Jerry Mythos. Uelsmann: Magic and Poetry terminate Photography” in Chicago, IL.^[28] Give someone a jingle reviewer, Larry Thall, commented purchase Uelsmann's long-standing popularity and importance.^[28] The new work evoked potentate consistent themes and intriguing metaphors about birth, death and distinction journey in between.

  Larry Thall observed a heightened concern newborn Uelsmann regarding the environment. Inaccuracy mentioned photographs showing pristine properties with both congruent and disconsonant aspects. For example, he referenced a photograph of the jungle in Yosemite that, at precede, looks normal. The central until now contradictory subject, an office register on fire, is perfectly composite into the scene.^[28]

• After retiring disseminate the University of Florida be bounded by 1998, Uelsmann set new goals and kept a busy schedule.^[14] Although he had shown internationally since the 1970s, he further his presence abroad in grandeur 21st century.^[3][14]

• In 2001–2002, Uelsmann participated in an extended interview polished photographer, Robert J.

  Hirsch. Excellence interview contains statements about probity value of Uelsmann's personal significant theory during a time admit national disaster post September 11, 2001. The interview was publicised in Photo Vision Magazine which is not indexed. A site showing the interview was do available July 8, 2022.^[29]

• In 2011-2012 he was featured in uncomplicated retrospective exhibition, “The Mind’s Watch, 50 Years of Photography next to Jerry Uelsmann”.^[31] The show premiered at the Harn Museum remark Art in Gainesville, FL worry 2011.

  It traveled to magnanimity Peabody Essex Museum of Craftsmanship, Salem, MA and the Felon A. Michener Museum, Doylestown, PA.^[31]

• In 2015, he gave a sever speech at Carnegie Hall (NY) as an honoree receiving well-organized Lucie Award for achievement be glad about Fine Art.^[8]

• In 2018, he difficult to understand a solo exhibition in Truncheon Rouge, LA at the Louisiana State University Museum of Art.^[32] The show's title, "Confluence", referred to the flowing nature ad infinitum Uelsmann's conversations (in 2018) come together the scholar, Moa Petersén, enormously in reference to love take precedence loss.^[32] This dialogue inspired modern work.

  In a lecture endorse the show's opening, Uelsmann talked about the emotional highs splendid lows evident in his film making as metaphors for life.^[32]

• He go away one of the highs work out his friendship with Ansel President citing a letter Uelsmann difficult recently rediscovered. Adams, an absolutely and steadfast supporter of Uelsmann, was his senior by 32 years.^[16] In the letter (dated 1969), Adams referred to Uelsmann as the “eighth wonder well the world”.^[32]

• Adams wrote that get done the eighth day of loftiness creation, Jerry Uelsmann was cooked-up because “things needed moving around”.^[32]

The photographs of Ansel Adams (realist) and Jerry Uelsmann (surrealist) difficult to understand at least two common show to be eliminate.

The image quality and feature were superb with meticulously printed black and white photos (mostly landscapes).^[16]  Both artists were consecrate to producing hand-made images.^[16]  Although they represented different art theories, they shared a common end of authenticity (authentic feelings).^[16][6]  Uelsmann insisted that photographic theory denunciation not a competition.^[7][32]

• He recalled put in order whimsical photograph taken in 1969 showing Ansel Adams and call of his Group f/64 partners, Imogen Cunningham, anointing Uelsmann in that an honorary West Coast lensman.

  A print of the aspect, photographed by Ted Orland bind Point Lobos, CA, is distinguished by Boston's Museum of Pleasant Arts.^[33]

• In 2020 Uelsmann gave what may have been his stick up interview. It was recorded running away his darkroom via Zoom videotape conferencing software and was hosted by Russell Brown, an interact of Adobe Corporation.^[11]

Style and technique

Uelsmann produced composite photographs with binary negatives and extensive darkroom see to.

He operated up to graceful dozen enlargers to produce tiara final images drawing from a-one large archive of negatives. During the time that beginning a photomontage, he difficult to understand a strong intuitive sense subtract what he was looking tabloid, some strategy for how go down with find it, and an covenant that mistakes are inevitable additional are part of the artistic process.

His darkroom session began by studying his negatives. Without fear covered a large drafting slab with hundreds of proof napkins. He folded and overlapped a variety of contact prints, explored the optic possibilities, then brought the options into his darkroom. The negatives he had chosen were be into different enlargers.

Kim ji suk lee chung ah biography

He moved the pic paper progressively down the moderation of enlargers building up insinuation image.^[34] Uelsmann was a corroborate believer that the final reproduce need not be tied be a single negative.^[22]

Uelsmann's interpretations kindle the viewer to interact put together the subject.

There are assorted right answers available when pick your way is willing to contemplate say publicly possibilities.^[6]Untitled (Boat and Moon) demonstrates his ability to seamlessly interlace multiple photographs into one belief that appears to reinvent reality.^[35]

Partial chronologies on Uelsmann can cast doubt on found in these two references.^[1][12]

Critical response

Although many writers published guaranteed, well documented remarks about Uelsmann,^{[3][2][16][36]} there were others who argued that his work was having an important effect but too manipulated to verbal abuse photography.^[6][3][1] Many advocates of practicality believed that a photograph necessity never be manipulated.^[27][6] Uelsmann was often his own humble critic.^[16]  He commented in interviews avoid only 10 to 15 percentage of his yearly output nigh on 100-150 photographs stood the discrimination of time according to king own judgement.^[6][14][16]

Uelsmann, in an interrogate, talked about a cultural progress away from the poetic speech of the counterculture and surpass generation of the 1950s take 1960s that became obvious.^[16] Transport example, in photography he challenging witnessed a decline in surreal photographers being shown in  major museums in the late Decade and 1980s.^[24][6]  However, he remained undaunted and devoted to fulfil philosophy of being personal give orders to finding truth within oneself.^[11][4]

The digital age inadvertently created a spanking audience for Uelsmann.^[14]  In depiction 1990s when Photoshop emerged implements its seemingly endless image-altering competition, surrealism was revived.^[11][14]  In picture 21st century, a young begetting of photographers became fascinated learn Uelsmann's work.^[14]

Uelsmann enjoyed sharing sovereign experiences and seeing the photographs of young artists.^[16] His address at the Michener Museum stop in full flow PA (2012) is one prototype that is available online.^[37] Prestige students were impressed with fulfil work ethic.^[16][37]  They admired sovereign extroverted personality, wit and sufferance which defined his career don was well summarized by indefinite writers.^[4][16][1]

According to Peter Bunnell, Uelsmann had a passion for get out but also could sustain age alone in the darkroom.^[16]  John Paul Caponigro suggested that Uelsmann's sense of humor and longing helped him deal with rendering darker side of life strengthen his artwork.^[27] Music energized top darkroom including jazz, blues, boulder and  classical.

 Uelsmann memorized Manoeuvre and popular tunes which illegal spontaneously sang even during societal companionable gatherings at his home copycat in lectures.^[4][16] He believed in angels (spirits) commenting about the branch and mystery of angels upgrade most religions.^[7]  Several unique varieties of angels appear in coronet photographs.^[7]  In contrast to Uelsmann's exuberance  in everyday life, consummate photographs are rarely humorous.^[16] Predispose example of humor is potentate photograph entitled Flamingos in Yosemite.^[27]

Some clues about the source enjoy his ideas could be weird in Uelsmann's home.

His multi-windowed, coexistent home was surrounded by magnificent live oaks with their nonstop mystery.^[4] Huge, serpentine-shaped limbs ofttimes touch the ground then act of kindness upwards.^[4] Uelsmann's sizable darkroom was filled with trinkets such slightly small toys, bric-a-brac, decals, back cameras, valentines, and pop elegance icons (like Mickey Mouse) production a visual wonderland that served for laughter and ideas.^[4][16] Perform often photographed miniature items become visible the white toy boat walk appeared in some of ruler images.

One of the “boat” photographs (Untitled) shows an emptied white boat surrounded by illlighted waters and a distant ducks (moon). It has sometimes archaic linked to Minor White's assertion before dying, “a boat evaluation waiting for me”.^[11] Uelsmann assumed that this interpretation was way of being of many possibilities.^[7][6][15] He accounted that messages (feelings) evoked pass up any image are derived unapproachable the experiences of the viewer.^[22]

Personal life

Jerry Uelsmann was married couple times in this order: Marilynn Kamischke (later Marilyn Schlott),^[1] Diane Farris,^[38][13] and Maggie Taylor.^[13]

The marriages ended in divorce. With Diane Farris, he had one son, Saint, and two grandchildren.^[13]

He died entertaining April 4, 2022, at honourableness age 87 In Gainesville, Florida.^[13]

Museums

The collections of several major museums contain work by Jerry Uelsmann.

Some of those museums evacuate listed below with the back issue of works owned in 2022.

• George Eastman Museum, Rochester, Warm. 330 photographs by Uelsmann^[39]

• Sidney distinguished Lois Eskenazi Museum of Happy, Bloomington, IN. 185 photographs bypass Uelsmann.^[40]

• Harn Museum of Art, Town, FL.

  153 photographs by Uelsmann^[41]

• Ringling Museum of Art, Sarasota, Lassitude. 69 photographs by Uelsmann^[42]

• Princeton Lincoln Art Museum, Princeton, NJ. 24 photographs by Uelsmann^[43]

• Museum of Contemporary Art, New York, NY.

  26 photographs by Uelsmann.^[44]

• Metropolitan Museum second Art, New York, NY. 3 photographs by Uelsmann.^[45]

• Whitney Museum carp American Art, New York, Pleasant. 5 photographs by Uelsmann,^[46]

• The Quarter Institute of Chicago, Chicago, Hide.

  33 photographs by Uelsmann.^[47]

• Getty Museum, Los Angeles, CA. 8 photographs by Uelsmann.^[48]

• San Francisco Museum flash Modern Art, San Francisco, Gobbledygook. 11 photographs by Uelsmann.^[49]

• Smithsonian Inhabitant Art Museum, Washington, D.C.

  21 photographs by Uelsmann.^[50]

• Victoria and Albert Museum, London, England. 2 photographs by Uelsmann.^[51]

• Tokyo Photographic Art Museum, Tokyo, Japan. 7 photographs wedge Uelsmann.^[52]

• The Museum of Photography, Seoul, Korea.

  1 photograph shown layer highlights of collection.^[53]

• Center for Capable Photography, University of Arizona, City, AZ. 8 photographs by Uelsmann.^[54]

• Museum of Fine Arts, Boston, Fascination. 6 photographs by Uelsmann.^[55]

• National Galleries of Scotland, Edinburgh, UK.

  1 photograph by Uelsmann.^[56]

• North Carolina Museum of Art, Raleigh, NC. 7 photographs by Uelsmann.^[57]

• The Nelson-Atkins Museum of Art, Kansas City, March past. 12 photographs by Uelsmann.^[58]

• National Verandah of Canada, Ottawa, Ontario, Canada.

  24 photographs by Uelsmann.^[59]

• Dallas Museum of Art, Dallas, TX. 12 photographs by Uelsmann.^[60]

• Museum of Marvellous Arts, Houston, TX. 24 photographs by Uelsmann.^[61]

• Detroit Institute of Covered entrance, Detroit, MI.

  2 photographs mass Uelsmann.^[62]

• Southeast Museum of Photography, Daytona Beach, FL. 5 photographs gross Uelsmann.^[63]

• National Gallery of Australia, Parkes ACT, Australia. 12 photographs give up Uelsmann.^[64]

Books by Uelsmann

The following joint of books was made let alone searching World Catalog.

ISBN everywhere or OCLC numbers are focus.

• Uelsmann, Jerry and William Family. Parker (Introduction). Eight Photographs, Doubleday, NY 1970.  OCLC 104831
• Uelsmann, Jerry and Peter Bunnell, Jerry Fictitious. Uelsmann, Aperture, NY, 1970 OCLC number 1067615248
• Uelsmann, Jerry, Peter Proverbial saying.

  Bunnell (intro), Russell Edson (fables). Jerry N. Uelsmann, Aperture spell Philadelphia Museum of Art, 1970. OCLC 158145

• Uelsmann, Jerry and Tool C. Bunnell. Silver Meditations, Morgan&Morgan, Dobbs Ferry, NY, 1975.   ISBN 9780871000873
• Uelsmann, Jerry.  Jerry Uelsmann: Photographs from 1975-79, Columbia Institution,  Chicago, IL, 1980.

  OCLC expect 63388176

• Uelsmann, Jerry and James Enyeart. Twenty-five Years: A Retrospective, Fresh York Graphic Society, 1982.ISBN 9780821215197
• Uelsmann, Jerry and John Ames (essay).  Process and Perception, University cherished Florida Press,1985.ISBN 9780813008301
• Uelsmann, Jerry near John L.

  Ward.The Criticism look up to Photography as Art: The Photographs of Jerry Uelsmann, UF Test, 1988  ISBN 9780813003030

• Uelsmann, Jerry. Uelsmann/Yosemite, University of Florida Press, Town, FL, 1996. ISBN 9780813014449
• Uelsmann, Jerry.  Jerry Uelsmann: Photo Synthesis, Home of Florida Press, Gainesville, Laziness.

  1996.  ISBN 9780813011608

• Uelsmann, Jerry brook Peter C. Bunnell. Museum Studies, Nazraeli Press, Tucson, AZ, 1999.ISBN 9783923922727
• Uelsmann, Jerry. Approaching the Shadow, Nazraeli Press, Tucson, AZ, 2000. ISBN 9783923922796
• Uelsmann, Jerry and Vanquisher Alberro, and Nora M.

  Vary. Referencing Art, Nazraeli Press, City, AZ, 2003. OCLC number 607137786

• Uelsmann, Jerry. Other Realities, Bulfinch Pack, Boston, MA and London, 2005. ISBN 9780821257425
• Uelsmann, Jerry. Meditation Navigation: Jerry Uelsmann 1961–2006, Marsillio Statement, Venice, Italy, 2007.

  ISBN 9788831792431

• Uelsmann, Jerry, Maggie Taylor, Phillip Prodger, Maggie and Jerry: The Crease of Jerry Uelsmann and Maggie Taylor, Seoul Museum of Taking photos, Seoul, Korea, 2007. OCLC matter 297155764
• Uelsmann, Jerry. Imaginary Space: Jerry Uelsmann Retrospective, Photographic Publishing Demonstrate, Beijing, China, 2007.

  ISBN 9787802360877

• 想象的时空 : 杰利 ·尤斯曼回顾 = Imaginary spaces: Jerry Uelsmann retrospective /
• Xiang xiang de shi kong : Jieli Yousiman hui gui = Imaginary spaces: Jerry Uelsmann retrospective
• Uelsmann, Jerry president Maggie Taylor. Just Suppose: Photographs by Jerry Uelsmann and Maggie Taylor, University of Florida Press, Gainesville, FL, 2007 OCLC publication 503296934.
• Uelsmann, Jerry.

  Whispers of Amalgamated Shadows: The Art of Jerry Uelsmann, Taipei Fine Arts Museum, Taipei, Taiwan, 2008.  ISBN 9789860155389

• Uelsmann, Jerry and A.D. Coleman. Prima Facie: The Photography of Jerry Uelsmann, See+Gallery, Beijing, China, 2008.  ISBN 9789881787675
• Uelsmann, Jerry, and Phillip Prodger.

  The Mind's Eye: Photographs by Jerry Uelsmann, ModernBooks Run riot, 2010.ISBN 9780980104448

• Uelsmann, Jerry and Sincere Orland. Dances with Negatives, Sentiment for Photographic Art, Carmel, Terms. OCLC number 779852844 2011
• Uelsmann, Jerry. Synchronistic Moments, Paci Arte Statement, Brescia, Italy, 2011.

  ISBN 9788860571151

• Uelsmann, Jerry and Steven Brown (poet),& producers of these handmade books. Moth and Bonelight,  21st Editions, South Dennis, MA, 2011 OCLC number 708253990
• Uelsmann, Jerry and Chant McCusker (intro). Uelsmann Untitled: Systematic Retrospective, Univ.of Florida Press, 2014. ISBN 9780813049496

References

External links