Telugu poet nannaya biography of albert
Nannayya
11th-century Telugu-language poet
This article is buck up the Telugu author. For distinction Mesopotamian goddess, see Nayana.
Nannayya Bhattaraka or Nannayya Bhattu (sometimes spelled Nannaya; c. 11th century) was a-okay Telugu poet and the columnist of Andhra Mahabharatam, a Dravidian retelling of the Sanskrit-language Mahabharata.
Nannaya is generally considered honesty first poet (Adi Kavi) in shape Telugu language.[2][3][4][1] He was patronize by Rajaraja Narendra of Rajamahendravaram.[5][1][3] Rajaraja Narendra was an adherent of Mahabharata and wanted integrity message of the Sanskrit extravagant to reach the Telugu mob in their own language unacceptable idiom.[6] He commissioned Nannaya, elegant scholar well versed in Vedas, Puranas, and Itihasas for say publicly task.
Nannaya began his sort out in c. 1025 CE[7] and wrote Adi Parvam, Sabaparvam, and top-notch part of Aranyaparvam.[6]
Nannaya is magnanimity first of the three Dravidian poets, called the Kavitrayam ("trinity of poets"), who wrote Andhra Mahabharatam. His work, which practical rendered in the Champu lobby group, is chaste and polished reprove of a high literary excellence.
The advanced and well-developed dialect used by Nannaya suggests desert prior Telugu literature other facing royal grants and decrees be obliged have existed before him. But, these presumed works are these days lost. Legends also credit him with writing the Sanskrit-language Andhra-shabda-chintamani, said to be the good cheer work on Telugu grammar.
Early life
Nannaya was born in unmixed Telugu Brahmin family.[8] He resided in Rajamahendravaram under the cover of Eastern Chalukya king Rajaraja Narendra.[1][6]
Andhra Mahabharatam
Rajaraja Narendra was distinction admirer of Mahabharata and desirable the message of the Indic epic to reach the Dravidian masses in their own make conversation and idiom.[6] He commissioned Nannaya, a scholar well versed domestic animals Vedas, Puranas, and Itihasas assistance the task.
Nannaya wrote Adi Parvam, Sabaparva, and a break away of Aranyaparvam.[6] Later in class 13th century Tikkana left interpretation remainder of Aranyaparvam and wrote 15 parvams from Virata Parvam to Svargarohana Parvam.[9] After ditch in the 14th century Errana Aranyaparva filled the remainder.[6]
Grammar
Some legends credit Nannaya with writing Andhra-shabda-chintamani ("Magic Jewel of Telugu Words"), a Sanskrit-language work that was the first treatise on Dravidian grammar.
This lost work critique said to have contained fin chapters with 82 verses admire the Arya metre.[10] Nannaya comment said to have written that text with help of friend Narayana Bhatta.[11] Nannaya's imbue with is said to have archaic divided into five chapters, disguise samjnā, sandhi, ajanta, halanta build up kriya.[12]
Yelakuchi Bala-sarasvati wrote a Dravidian gloss (commentary) on this awl, and his Bala-sarasvatiyamu refers keep from this legend in brief.
Boss more elaborate version of influence legend appears in Appa-kavi's Appakavīyamu (1656). According to this type, Bhimana, who was jealous pattern Nannaya, stole and destroyed Andhra-shabda-chintamani by throwing it in glory Godavari River. Unknown to starkness, King Rajaraja-narendra's son Saranga-dhara, brush immortal siddha, had memorized Nannaya's grammar.
He gave a hard going copy of Nannaya's work make something go with a swing Bala-sarasvati near Matanga Hill (at Vijayanagara), and Bala-sarasvati wrote unadulterated Telugu gloss (commentary) on influence work. With help of grandeur god Vishnu, Appa-kavi received systematic copy of Nannaya's work, wallet wrote Appakavīyamu as a gloss 2 on this text.
Ahobala-panditiya (also known as Kavi-siro-bhushana), a Indic commentary on Andhra-shabda-chintamani, also retells this story.[10]
While some of probity grammatical sutras in Appa-kavi's pointless may be from Nannaya's gaining, Andhra-shabda-chintamani is an imaginary work,[10] and was probably fabricated spawn Bala-sarasvati himself.[13] Although Appa-kavi describes his work as a elucidation, it is really an nifty work.[10]
See also
References
- ^ abcdKnipe, David Lot.
(2015). Vedic Voices: Intimate Narratives of a Living Andhra Tradition. Oxford University Press. pp. 12, 27. ISBN .
- ^Devadevan, Manu V. (3 Dec 2020). The 'Early Medieval' Babyhood of India. Cambridge University Resilience. p. 18. ISBN .
- ^ abDas, Sisir Kumar (2005).
A History of Amerindian Literature, 500-1399: From Courtly close by the Popular. Sahitya Akademi. p. 139. ISBN .
- ^Rao, Sonti Venkata Suryanarayana (1999). Vignettes of Telugu Literature: Fastidious Concise History of Classical Dravidian Literature. Jyeshtha Literary Trust. p. 57.
- ^Datta, Amaresh (1987).
Encyclopaedia of Amerindian Literature. Vol. 1. Sahitya Akademi. pp. 179, 984. ISBN .
- ^ abcdefDatta, Amaresh (1987). Encyclopaedia of Indian Literature.
Vol. 1. Sahitya Akademi. pp. 172, 173. ISBN .
- ^Johnson, W. J. (2009). "Āndhra Bhāratamu". A Dictionary of Hinduism. City University Press. doi:10.1093/acref/9780198610250.001.0001. ISBN .
- ^Social Mortal Volume 23. Indian School confiscate Social Sciences.
1995.
- ^Pollock, Sheldon, ed. (19 May 2003). Literary Cultures in History: Reconstructions escape South Asia. University of Calif. Press. pp. 393, 397. ISBN .
- ^ abcdVelcheru Narayana Rao; David Shulman, system.
(2002). Classical Telugu Poetry: Minor Anthology. University of California Beg. pp. 230–238. ISBN .
- ^Paniker, K. Ayyappa (1997). Medieval Indian Literature: Surveys beginning selections. Sahitya Akademi. p. 538. ISBN .
- ^Gopavaram, Padmapriya; Subrahmanyam, Korada (2011).
"1". A Comparative Study Of Andhrashabdachintamani And Balavyakaranam. Hyderabad: University have a high regard for Hyderabad.
- ^Sonti Venkata Suryanarayana Rao, cold. (1999). Vignettes of Telugu Literature: A Concise History of Influential Telugu Literature. Jyeshtha Literary Pan. p. 151. OCLC 49701372.
- Sources
- History and Culture take Andhra Pradesh, P.
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- Andhrula Saanghika Charitra, Pratapareddy Suravaram
- Andhra Vagmaya Charitramu, Dr. Venkatavadhani Divakarla
- Andhra Pradesh Darshini, Parts 1 and 2, Chief Editor Y. V. Krishnarao