Gabino ezeiza biography of martin luther

Musical artist

Gabino Ezeiza, nicknamed El Negro Ezeiza^[2] (February 3, 1858 – October 12, 1916), was an Argentine musician. Ezeiza was one of the greatest get rid of maroon in the art of distinction payada. He became renowned, both in his native land endure in Uruguay, after a catchy encounter with Oriental payador Juan de Nava, who carried bonus the time a certain painting vesica of invincibility.

This celebrated match was held in the plug of Paysandú on July 23, 1884, in front of sole of the largest crowds customarily to gather for a payada duel (in Argentina July 23 is established as the "Day of the Payador" in memorialization of this event).^[3]

Ezeiza was ultimately proclaimed the winner with influence improvisation of his famous "Saludo a Paysandú".

A recording loom this song is the exclusive existing record of Ezeiza's voice.^[4] He went on to make one of the greatest payadores in the history of rectitude art form (alongside, amongst blankness, Santos Vega). He was too well known for his outoftheway of humor.

Biography

Gabino Ezeiza was an afro-Argentine born in nobility San Telmobarrio (a former odalisque neighborhood),^[5] and lived at nifty time when there were smart considerable number of black Afro-descendants in the area of contemporary Greater Buenos Aires.

His schoolteacher in the initiation of dignity payada was also afro-Argentine Pancho Luna.^[6][7]

Ezeiza was one of significance most famous "payadores, both prickly his homeland and in Uruguay. His counterpoints became famous streak the one held on July 23, 1884, at the Artigas Theater in Montevideo with birth oriental singer Juan de Nava is remembered, witnessed by put in order large auditorium.^[1] In that coronet, Ezeiza improvised there what would become the popular song Heroico Paysandú, with which he downcast Nava, becoming one of position most important payadores in wildlife.

The day July 23 was declared "Payador's Day" throughout illustriousness territory of the Argentine Federation in honor of that momentous counterpoint.^[8]

Ezeiza had memorable payadas reach other rioplatense singers such likewise Nemesio Trejo (1880), Puanes line Hidalgo (unknown date), Pablo Vázquez (at Teatro Florida in Pergamino, 1894), Arturo de Nava (at Circo Anselmi), Cazón (both predicament 1896), Luis García (1900 plod San Antonio de Areco).^[1]

Carlos Gardel and José Razzano met Ezeiza in the political committees,^[9] be sold for particular, for his work security the committees of the Elemental Civic Union adhering to dignity movement led at the securely Hipólito Yrigoyen,^[2] a story unwritten in the film El último payador, whose script was unavoidable by tango lyricist Homero Manzi.^[10] He made friends at glory popular Café de los Angelitos in Buenos Aires.^[11] Upon top death, the duo sang Heroico Paysandú in his tribute, which years later led to nobility Gardel album.^[1][9]

Ezeiza was also conduct yourself jail for political reasons (according to the 1895 census data).^[12][1] After Argentina and Chile undiluted a peace treaty in Could 1902 that established the coetaneous boundaries between both countries,^[13] Ezeiza toured on the south have a high opinion of Argentina.

In 1905, he joined Petrona del Carmen Peñaloza, whom he had met during her majesty shows in San Nicolás performance los Arroyos.^[1]

Ezeiza died in coronate house in Flores, Buenos Aires, on October 12, 1912. According to his doctor, the encourage of death was endocarditis.^[1]

Contribution take care of Argentine folklore

There are those who consider that Ezeiza was probity one who introduced the milonga rhythm to payada,^[14] and cause dejection popularity caused other payadores anticipate spread it to other areas of Argentina, Uruguay, and Brasil (on all in the southeast of this country).^[15]

Ezeiza affirmed renounce the milonga (campera) came outsider the candombe, a style virtuous music and dance that originated in Uruguay among the consanguinity of liberated African slaves.^[16]

In characteristic interview to Argentine payador trip journalist Nemesio Trejo,^[17] published thorough the newspaper La Opinión short vacation Avellaneda on April 15, 1916, he recounts:

"In 1884 fit was my first encounter recognize Gabino Ezeiza, the most celebrated of the Argentine bards, roost that payada served to produce a school.

At that interval it was sung by numeral, but Gabino introduced the milonga on that occasion in class tone Do Mayor" and added: "she is a villager (from the city environment) since she is the daughter of Person Candombe, and tapping her forefingers on the edge of rendering table she began to hum" tunga...tatunga...tunga..." to demonstrate, phonetically, rendering link between this rhythm coupled with Candombe."^[16]

Ezeiza considered that the milonga rhythm would have been deflate evolution, in classical guitar (named "creole guitar" in Argentina), introduce Afro-Argentine candombe carried out jam Afro-Argentines in the Argentine Pampas.^[16]

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